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The ID3v1 series, in particular, stores genre as an 8-bit number (therefore ranging from 0 to 255, with the latter having the meaning of "undefined" or "not set"), allowing each file to have at most one genre out of a fixed list. Genre definitions 0-79 follow the ID3 tag specification of 1999. [1]
ID3 is a de facto standard for metadata in MP3 files; no standardization body was involved in its creation nor has such an organization given it a formal approval status. [1] It competes with the APE tag in this area. There are two unrelated versions of ID3: ID3v1 and ID3v2. In ID3v1, the metadata is stored in a 128-byte segment at the end of ...
The Free Music Philosophy [1] generally encourages creators to free music using whatever language or methods they wish. A Free Music Public License (FMPL) [2] is available for those who prefer a formal approach. Some free music is licensed under licenses that are intended for software (like the GPL) or other writings (the GFDL).
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An instrumental or instrumental song is music without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. [1] [2] [3] The music is primarily or exclusively produced using musical instruments.
The positions of all songs are based on week-end sale totals, from Sunday to Saturday, [4] but pre-1987 the charts were released on a Tuesday because of the need for manual calculation. [5] Since inception there have been more than 1,400 number ones; of these, instrumental tracks have topped the chart on 30 occasions for a total of 96 weeks.
While not an ISO-recognized standard, MPEG-2.5 is widely supported by both inexpensive Chinese and brand-name digital audio players as well as computer software-based MP3 encoders , decoders (FFmpeg) and players (MPC) adding 3 × 8 = 24 additional MP3 frame types. Each generation of MP3 thus supports 3 sampling rates exactly half that of the ...
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.
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