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Un sospiro consists of a flowing background superimposed by a simple melody written in the third staff. This third staff—an additional treble staff—is written with the direction to the performer that notes with the stem up are for the right hand and notes with the stem down are for the left hand.
Un Sospiro (From 3 Concert Studies, S144) Manuel De Falla Jota (From Suite Populaire Espagnole) Joaquín Rodrigo Arr. Gil Evans Concierto De Aranjuez (From Sketches Of Spain) Miles Davis Jean Sibelius Symphony No. 5 in E-flat major, Op. 82 (3rd movement, Allegro molto) Van Morrison Country Fair (From Veedon Fleece) (1974) 28 Mar 2004 Reg Gadney ...
Nos. 2, 5, 6, 9, 12, and 14 were arranged for orchestra by Franz Doppler, with revisions by Liszt himself. These orchestrations appear as S.359 in the Searle catalogue; however, the numbers given to these versions were different from their original numbers. The orchestral rhapsodies numbered 1–6 correspond to the piano solo versions numbered ...
Liebestraum No. 3 in A-flat major is the most familiar of the three nocturnes and is in three sections, each divided by a fast cadenza requiring dexterous fingerwork and a high degree of technical ability. One melody is used throughout, and varied, notably near the middle of the nocturne, at a climax, where it is played in a series of octaves ...
Inspirato is the fifteenth studio album by Yanni, released in 2014.To create the album, Yanni collaborated with opera tenor Plácido Domingo and producer Ric Wake to select distinguished vocalists to perform songs that Yanni had previously released over his career.
Israel accuses 190 UN staff of being 'hardened' militants. Dan Williams and Gabrielle Tétrault-Farber ... That is a huge problem for an agency that more than half of Gaza's 2.3 million ...
The entire work, except the coda, consists wholly of semiquaver (sixteenth note) arpeggios, spanning large lengths of the keyboard in the space of one bar. The initial theme is expounded upon and changes to many different keys.
Sospiri, Op. 70, is an adagio for string orchestra, harp (or piano), and organ (or harmonium) [1] composed by Edward Elgar just before and performed just after the beginning of World War I.