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For example, Stewart Macpherson defines a musical sentence as "the smallest period in a musical composition that can give in any sense the impression of a complete statement." [ 1 ] It "may be defined as a period containing two or more phrases, and most frequently ending with some form of perfect cadence ."
Robert Schumann (1810–1856): Studies (Op. 3) and Études (Op. 10) after Paganini's Caprices; and the Symphonic Studies (Op. 13, in three revisions: 1834, 1852, and posthumously 1893). Frédéric Chopin (1810–1849): 24 études in two sets of 12 each (Opp. 10 and 25), plus three more (a little easier), for a total of 27.
In music, call and response is a compositional technique, often a succession of two distinct phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response.
Guillaume Dufay was a transitional figure in this regard, writing one of the last important motets in the medieval, isorhythmic style, Nuper rosarum flores, in 1436. [ 13 ] [ 14 ] During the second half of the fifteenth century Motets stretched the cantus firmus to greater lengths compared to the surrounding multi-voice counterpoint, adopting a ...
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
"Up and Down This World Goes Round", three voice round by Matthew Locke. [1] Play ⓘ. A round (also called a perpetual canon [canon perpetuus], round about or infinite canon) is a musical composition, a limited type of canon, in which multiple voices sing exactly the same melody, but with each voice beginning at different times so that different parts of the melody coincide in the different ...
On computers using keyboard layouts without the circumflex accent, the syllable may either be printed using capital letters, or a caret placed between letters of a syllable or after a syllable. Due to the grammar and word order of Solresol, distinguishing parts of speech aren't usually required to understand the sentence.
Baroque opera arias and a considerable number of baroque sacred music arias was dominated by the Da capo aria which were in the ABA form. A frequent model of the form began with a long A section in a major key, a short B section in a relative minor key mildly developing the thematic material of the A section and then a repetition of the A section. [4]