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Tenor subtypes: Tenors are often divided into different subcategories based on range, vocal color or timbre, the weight of the voice, and dexterity of the voice. Tenors are often broken down into seven subcategories: tenore contraltino, leggero tenor or tenore di grazia, lyric tenor, spinto tenor or tenore spinto, dramatic tenor, heldentenor ...
Arturo di Giuseppe Melocchi (December 9, 1879 – October 25, 1960) was an Italian baritone and voice teacher who is best known for having been the teacher of dramatic tenor Mario Del Monaco and his older brother Marcello Del Monaco. In addition, his method influenced the voice and technical development of tenor Franco Corelli.
Spinto (Italian for "pushed") is a vocal term used to characterize a soprano or tenor voice of a weight between lyric and dramatic that is capable of handling large musical climaxes in opera at moderate intervals. (Sometimes the terms lirico-spinto or jugendlich-dramatisch are used to denote this category of voice.) [1]
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types.It is the highest male chest voice type. [1] Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B 2 to G 4) in choral music, and from the second B flat below middle C to the C above middle C (B ♭ 2 to C 5) in ...
Jadlowker possessed a dark-hued, lyric-dramatic tenor voice of extraordinary flexibility. His agile vocal technique enabled him to sing runs, trills and other coloratura embellishments with astonishing ease and accuracy (although the basic timbre of his voice was not sweet or seductive). He made a large number of records in Europe and America ...
James McCracken (December 16, 1926 – April 29, 1988) was an American operatic tenor. At the time of his death The New York Times stated that McCracken was "the most successful dramatic tenor yet produced by the United States and a pillar of the Metropolitan Opera during the 1960s and 1970s." [1]
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