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In music, heterophony is a type of texture characterized by the simultaneous variation of a single melodic line. Such a texture can be regarded as a kind of complex monophony in which there is only one basic melody, but realized at the same time in multiple voices, each of which plays the melody differently, either in a different rhythm or tempo, or with various embellishments and elaborations ...
Although in music instruction certain styles or repertoires of music are often identified with one of these descriptions this is basically added music [clarification needed] (for example, Gregorian chant is described as monophonic, Bach Chorales are described as homophonic and fugues as polyphonic), many composers use more than one type of ...
The verses (even-numbered sections) are more linear, and feature passages of varying length that can be cued by the conductor so as to sound all at once or with staggered entrances, with the result being a heterophonic texture. [19] (Boulez defined heterophony as "the superposition on a primary structure of a modified aspect of the same ...
Organum [a] (/ ˈ ɔːr ɡ ə n əm /) is, in general, a plainchant melody with at least one added voice to enhance the harmony, developed in the Middle Ages.Depending on the mode and form of the chant, a supporting bass line (or bourdon) may be sung on the same text, the melody may be followed in parallel motion (parallel organum), or a combination of both of these techniques may be employed.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
Created Date: 8/30/2012 4:52:52 PM
Polyphony (/ p ə ˈ l ɪ f ə n i / pə-LIF-ə-nee) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice or a texture with one dominant melodic voice accompanied by chords ().
Triple heteronyms are extremely rare in English; three examples, sin, mobile and does, are listed below. Proper nouns can sometimes be heteronyms. For example, the final syllable in the US state of Oregon is pronounced /-ə n / (or /-ɪ n /), while in the name of the village of Oregon in Wisconsin, the final syllable is pronounced /-ɒ n /.