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Renaissance Wax 200ml Can Lid of Renaissance Wax can, embossed with a royal warrant from Queen Elizabeth. Renaissance Wax is a brand of microcrystalline wax polish used in antique restoration and museum conservation around the world. Commonly used to polish and conserve metal objects, it is also used on gemstones and such organic materials as ...
It may darken light patinas, and so should only be used with medium to dark toned patinas. Butcher's Wax: [8] Butcher's wax is composed of paraffin and carnauba waxes as its main components. Liberon Special Effects Waxes: [8] Liberon has pre-toned waxes for when more than clear wax is necessary. [1]
John Christian Rauschner (born c. 1760) was a German artist who specialized in portraits made of wax. [1] He worked for some time in the United States, travelling to Boston, [2] [3] New York City, [4] Philadelphia [5] [6] and elsewhere. [7]
The wax encaustic painting technique was described by the Roman scholar Pliny the Elder in his Natural History from the 1st Century AD. [5] The oldest surviving encaustic panel paintings are the Romano-Egyptian Fayum mummy portraits from Egypt , around 100–300 AD, [ 6 ] but it was a very common technique in ancient Greek and Roman painting.
"Wax over shellac" (an application of buffed-on paste wax over several coats of shellac) is often regarded as a beautiful, if fragile, finish for hardwood floors. Luthiers still use shellac to French polish fine acoustic stringed instruments, but it has been replaced by synthetic plastic lacquers and varnishes in many workshops, especially high ...
Wax-based adhesives seem to have been in use for lining from the 18th century, although the earliest well-documented case of their employment is in the lining of Rembrandt's Night Watch in 1851. Although, initially, pure beeswax was used, mixtures incorporating resins such as dammar and mastic, or balsams such as Venice turpentine, were soon ...
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Wax tablet and a Roman stylus. A wax tablet is a tablet made of wood and covered with a layer of wax, often linked loosely to a cover tablet, as a "double-leaved" diptych.It was used as a reusable and portable writing surface in antiquity and throughout the Middle Ages.