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Virgiawan Listanto or better known as Iwan Fals (born 3 September 1961) is an Indonesian singer, songwriter and guitarist of Javanese descent. In 2002, Time named him a Great Asian Hero. Early life
A suspended chord (or sus chord) is a musical chord in which the (major or minor) third is omitted and replaced with a perfect fourth or a major second. [1] The lack of a minor or a major third in the chord creates an open sound , while the dissonance between the fourth and fifth or second and root creates tension.
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"Kekasih" Azman Abu Hassan / Johan Nawawi 3:44 4 "Sepanjang Jalan Kenangan" Mac Chew / S. Amin Shahab Music Works Sdn Bhd 4:54 5 "Sebahagian Usia Ini" A Ali / Azman Abu Hassan 4:01 6 "Rindu Seorang Kekasih" Ahmad Nawab / Juwie & Owie 3:35 7 "Pertemuan Semalam" Yan S 4:19 8 "Tidak Seindah Pengakuan" WOM / Seri Bayu 4:10 9 "Kepadamu"
These chords are all borrowed from the key of E minor. Similarly, in minor keys, chords from the parallel major may also be "borrowed". For example, in E minor, the diatonic chord built on the fourth scale degree is IVm, or A minor. However, in practice, many songs in E minor will use IV (A major), which is borrowed from the key of E major.
To analyze seventh chords indicate the quality of the triad; major: I, minor: ii, half-diminished: vii ø, or augmented: III+; and the quality of the seventh; same: 7, or different: 7 M or 7 m. [2] With chord letters used to indicate the root and chord quality, and add 7, thus a seventh chord on ii in C major (minor minor seventh) would be d 7. [1]
Dua tiga boleh ku cari, Mana sama adik seorang. Pisang emas dibawa berlayar, Masak sebiji di atas peti; Hutang emas boleh dibayar, Hutang budi dibawa mati. I've got that loving feeling, hey! I've got that loving feeling, hey! See that girl in the distance, I've got that loving feeling hey! The cempedak fruit is outside the fence, Take a pole ...
4 chord (as in I 6 4), while a second-inversion seventh chord is a 4 3 chord. Inversions are not restricted to the same number of tones as the original chord, nor to any fixed order of tones except with regard to the interval between the root, or its octave, and the bass note, hence, great variety results. [2]