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"Seven Wonders" is a song by British-American rock band Fleetwood Mac from their fourteenth studio album, Tango in the Night (1987). Stevie Nicks sang lead vocals on the song, and it was written by Sandy Stewart, with additional lyrics by Nicks. In the song, the singer remembers a love affair from her past.
"Hold Me" is a 1982 song by the British-American rock group Fleetwood Mac. It was the first track to be released as a single from the band's thirteenth album Mirage . Written by Christine McVie and Robbie Patton , McVie and Lindsey Buckingham shared lead vocals on the song.
Lyrics by Kurt Schwabach [1] 1928 ... Stevie Nicks of Fleetwood Mac [41] 1976 "Dancing Queen" ABBA ... "Seven Wonders" Fleetwood Mac [41]
The video locations included a highly detailed portrayal of a forest and required many costumes and dancers. It was the very first "World Premiere Video" on MTV in 1982. [citation needed] Interpersonal strife amongst the band members complicated the shoot, much as they had with the earlier video for "Hold Me".
An arena tour followed the MTV premiere of The Dance video and kept the reunited Fleetwood Mac on the road throughout much of 1997, the 20th anniversary of Rumours. With additional musicians Neale Heywood on guitar, Brett Tuggle on keyboards, Lenny Castro on percussion and Sharon Celani (who had toured with the band in the late 1980s) and Mindy ...
"Little Lies" is a song by British-American rock band Fleetwood Mac from their 14th studio album, Tango in the Night (1987). It was written by band member Christine McVie and her then-husband, Eddy Quintela, with lead vocals performed primarily by McVie; the chorus features backing vocals by Lindsey Buckingham and Stevie Nicks.
A TikTok clip showing a longboarding man drinking Ocean Spray cranberry juice to the tune of Fleetwood Mac's "Dreams" went viral in the last week, and the clip has sent "Dreams" as high as No. 28 ...
Donald Brackett, in his 2007 book Fleetwood Mac, 40 Years of Creative Chaos, discussed the album Mystery to Me and the song "Hypnotized", which he described as "a gentle yet compelling hit for Welch on this record". [7] In discussing Fleetwood Mac's change in direction in 1972 and 1973, he describes their stylistic changes as being better ...