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The album was recorded, between June and December 1974, at Threshold Westlake Audio Studios in West Hampstead, London. [4] On 10 March 1975 Blue Jays made its debut in the form of a staged playback of the album at Carnegie Hall. Hayward and Lodge wanted to pipe the music into the street, but New York police said they feared a traffic jam. [5]
Moody Blues biographer Marc Cushman felt that Moraz' synthesized bass line was the most effective aspect of the song, and that the synthesized strings were also effective. [3] However, he noted that listeners were split on flute-like trills, with some listeners liking them but others finding them "unnecessary and unwelcome". [ 3 ]
Gemini Dream. " Gemini Dream " is a song written by Justin Hayward and John Lodge that was released by The Moody Blues on their 1981 album Long Distance Voyager and also as the lead single from the album. It reached number 12 on the US Hot 100, as well as number 1 on the Canada RPM Top 100 Singles chart. It ranked as the 28th biggest Canadian ...
Eight-bar blues progressions have more variations than the more rigidly defined twelve bar format. The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues." [1]
The lyrics begin: La múcura está en el suelo, mamá, no puedo con ella. Me la arrebató una estrella.. It was composed by Cresencio Salcedo a flute player who also composed Mi cafetal, [2] and has received many recorded versions. In 1948 by Los Trovadores de Barú for Fuentes, then in 1950 entering Mexican cinema in versions by Ninón Sevilla ...
Professional ratings. Blues from Laurel Canyon is a 1968 album by John Mayall, featuring British blues music. It was his first album after the breakup of his band the Bluesbreakers in May 1968, [3] although others claim it was on 14 July 1968. It was also his last album with Decca before moving to Polydor.
Accompanying Rush on lead guitar and vocal are Big Walter Horton on harmonica, Red Holloway on tenor sax, Lafayette Leake on piano, Wayne Bennett on second guitar, Dixon on bass, and Al Duncan on drums. [5] "I Can't Quit You Baby" was a vehicle for arranger-producer Dixon to launch Rush and Cobra Records, as it was the first single for both. [3]
Professional ratings. Damn Right, I've Got the Blues is the seventh studio album by Blues guitarist Buddy Guy. The album has been described by Allmusic and Rolling Stone as a commercial comeback album for Guy [4][5] after limited recording for the previous 10 years. In 2005 the album was reissued as Damn Right, I've Got The Blues Expanded ...
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