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Gail Albert-Halaban (born Gail Hilary Albert, 1970, in Washington, DC) is an American fine art and commercial photographer.She is noted for her large scale, color photographs of women and urban, voyeuristic landscapes.
A standout in the fine art program at Stevenson Prep Highschool, Jackson was sent to study painting further at universities prior to high school graduation. He entered the fine art program at Pepperdine University and graduated in 1986, accepting his first job at advertising agency Ogilvy and Mather the same year.
Many associate Jackson's name with Gallery 32, an art gallery she ran in MacArthur Park, Los Angeles from 1968 to 1970, dedicated to fostering a supportive artist community. [2] [17] Gallery 32 was inspired by artist Charles White's philosophy that art could be an effective vehicle for community activism and social change. [18]
Jackson Pollock and art critic Clement Greenberg saw Sobel's work there in 1946 and later Greenberg noted that Sobel was "a direct influence on Jackson Pollock's drip painting technique". [53] In his essay "American-Type Painting", Greenberg noted those works were the first of all-over painting he had seen, and said, "Pollock admitted that ...
Jackson was born in New Haven, Connecticut, the son of a black father and an English mother who was born in Manchester, England. [ 2 ] [ 3 ] He earned BFA and MFA degrees from Yale University , studying with Josef Albers [ 4 ] in the mid-1950s.
Jacqueline Amy Jackson [1] (born 1986) is a British artist who lives and works in East London.She graduated in 2008 from the Ruskin School of Drawing and Fine Art, University of Oxford, [2] England and later returned to study Sustainable Finance at Smith School of Enterprise and the Environment, University of Oxford.
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Martha Jackson (née Kellogg; January 17, 1907 – July 4, 1969) was an American art dealer, gallery owner, and collector. Her New York City based Martha Jackson Gallery , founded in 1953 , was groundbreaking in its representation of women and international artists, and in establishing the op art movement.
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