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In the past, color of the costume was an important signal of a person's age or social status. Notably, red and pink were common for girls and young women, whereas middle-aged women wore shades of light blue and gray. White however, was appropriate for all ages, especially the elderly, and is used widely to this day.
Blue and white ware did not accord with Chinese taste at that time, the early Ming work Gegu Yaolun (格古要論) in fact described blue as well as multi-coloured wares as "exceedingly vulgar". [16] Blue and white porcelain however came back to prominence in the 15th century with the Xuande Emperor, and again developed from that time on. [14]
The blue-green shan shui (simplified Chinese: 青绿山水; traditional Chinese: 青綠山水; pinyin: Qīng-Lǜ Shān-Shuǐ), is a Chinese painting style of "shan shui". It tends to refer to an "ancient style" rather than modern ones. The main colours of the paintings are blues and greens, and in the early period it was painted using mineral dyes.
Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
The Lun Bawang (formerly known as Trusan Murut and Mengalong Murut or Southern Murut) is an ethnic group found in Central Northern Borneo.They are indigenous to the southwest of Sabah (Interior Division including Labuan) and the northern region of Sarawak (Limbang Division), highlands of North Kalimantan (Long Bawan , Krayan, Malinau, Mentarang) and Brunei (Temburong District).
Dusun is the collective name of an indigenous ethnic group to the Malaysian state of Sabah of North Borneo.Collectively, they form the largest ethnic group in Sabah. The Dusun people have been internationally recognised as indigenous to Borneo since 2004 as per the United Nations Educational, Scientific and Cultural Organization (UNESCO).
As with most indigenous ethnic groups in Borneo, culture revolves around rice; however, coconut and banana groves provide cash income. Women weave cloth on backstrap looms, and make containers from vine or beadwork.
Stamped batik, the design of which takes months to create; double weave ikat from the islands of Nusa Tenggara, silk Bugis sarong from Sulawesi, gold-painted Balinese prada fabric; shimmering kain songket from Palembang utilizing silver and gold metallic threads weft in woven cotton or silk ikat; and tapis weavings from Lampung.
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