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One of the figures has placed his arm across the shoulder of the other and this proximity suggests a close relationship between the two. This portrayal has drawn connections with Picasso's own friendship with the writer Guillaume Apollinaire who died in 1918 and may therefore be considered a posthumous tribute by Picasso.
Gabrielle Lespinasse, born Gabrielle Depeyre in Paris, France, was called Gaby by Picasso. [3]The exact circumstances by which Lespinasse and Pablo Picasso met is in doubt, [3] but the romance between the 27-year-old Parisian and the 34-year-old artist appears to have begun in the autumn of 1915 while Picasso's previous partner, Eva Gouel, was fatally ill with tuberculosis.
Picasso with his sister Lola, 1889. Picasso was born at 23:15 on 25 October 1881, in the city of Málaga, Andalusia, in southern Spain. [5] He was the first child of Don José Ruiz y Blasco (1838–1913) and María Picasso y López. [14]
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This portrait reflects the artist's evolving relationship with Marie-Thérèse Walter during this period of their relationship. Prior to producing this work, Picasso had depicted his relationship with Walter as a blissful partnership, illustrated by the many sensual portraits that he created of her in 1932, which has led to her being described as Picasso's "Golden Muse".
Walter was now aware of Picasso's relationship with Maar. Françoise Gilot later said that Maya lived with "the fiction that her father worked a long way away". [3] Picasso continued to visit Walter and Maya on Thursdays and Sundays for the next ten years. After the end of World War II, he moved to the South of France with Françoise Gilot.
[6] Picasso was the focus of Apollinaire's first important works of art criticism—his 1905 pieces on Picasso also provided the artist with his earliest major coverage in the French press [7] —and Picasso highly treasured Apollinaire's gift of the original manuscript of his pornographic novel Les Onze Mille Verges, published in 1907. [8]
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