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[1] 15 sonatas — numbering of the piano sonatas according to Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe – Serie 10: Sonaten für Pianoforte (Leipzig: Breitkopf & Härtel, 1888), the first publication that claimed to print the complete set of Schubert's piano sonatas. The Deutsch catalogue was yet to be created, so there ...
The Piano Trio No. 2 in E-flat major for piano, violin, and cello, D. 929, was one of the last compositions completed by Franz Schubert, dated November 1827.It was published by Probst as Opus 100 in late 1828, shortly before the composer's death and first performed at a private party in January 1828 to celebrate the engagement of Schubert's school-friend Josef von Spaun.
The Piano Sonata in E major, D 459, is a work for solo piano, composed by Franz Schubert in August 1816. It was first published in 1843, after the composer's death, by Carl August Klemm in Leipzig , in a publication known as Fünf Klavierstücke (Five Piano Pieces).
Piano Concerto No. 3 (Bartók) Piano Quartet in E major (Saint-Saëns) Piano Quintet No. 2 (Farrenc) Piano Sonata in E major, D 157 (Schubert) Piano Sonata in E major, D 459 (Schubert) Piano Sonata No. 9 (Beethoven) Piano Sonata No. 30 (Beethoven) Piano Trio No. 4 (Mozart) Piano Trio No. 44 (Haydn) Prelude (Toccata) and Fugue in E major, BWV 566
Mozart's Piano Sonata, K 545 opening. The right hand plays the melody, which is in the top stave. The left hand plays the accompaniment part, which is in the lower stave. In the first bar of the accompaniment part, the pianist plays a C Major chord in the left hand; this chord is arpeggiated (i.e., a chord in which the notes are played one after the other, rather than simultaneousl
For instance, three adjacent piano keys (such as C, C ♯, and D) struck simultaneously produce a tone cluster. Variants of the tone cluster include chords comprising adjacent tones separated diatonically, pentatonically, or microtonally. On the piano, such clusters often involve the simultaneous striking of neighboring white or black keys.
Philip Marlowe Concerto (Piano Concerto No. 2) Piano Concerto No. 2 for the left hand (in C minor and E-flat major) (Bortkiewicz) Piano Concerto No. 3 "Per aspera ad astra" (Sergei Bortkiewicz) Piano Concerto No. 1 (Arthur De Greef) Piano Concerto (Delius) Piano Concerto No. 1 (Concerto capriccioso) (Théodore Dubois)
The piano answers with an ornamented legato version of the same theme, before all three instruments burst into a lively bridge section leading toward the dominant. The opening theme is reproduced in the development section in a rich, full-bodied version in A ♭ major.
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