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The project team of the Eiffel Tower. Stephen Sauvestre is left, center Gustave Eiffel. Sauvestre contributed to the design of the Eiffel Tower, adding the decorative arches to the base, a glass pavilion to the first level and the cupola at the top. He also chose the color of the tower.
The design of the Eiffel Tower is attributed to Maurice Koechlin and Émile Nouguier, two senior engineers working for the Compagnie des Établissements Eiffel. It was envisioned after discussion about a suitable centerpiece for the proposed 1889 Exposition Universelle, a world's fair to celebrate the centennial of the French Revolution.
The structural design was created by two Eiffel engineers, Maurice Koechlin and Émile Nouguier, who along with Eiffel himself, received the patent for the plan. An Eiffel architect, Stephen Sauvestre, designed the curving form and decoration which gave the tower its distinctive appearance.
Paris was already the most densely populated city in Europe, it was already the banking and financial capital of the continent, and moreover, as of 1889 it had the tallest structure in the world, the Eiffel Tower. Beside the Eiffel Tower, The skyline of Paris presented the Arc de Triomphe, the dome of the Basilca of Sacre Coeur, the Arc de ...
The monument was to be a tall tower made of iron, glass and steel which would have dwarfed the Eiffel Tower in Paris (the Monument to the Third International was a third taller at 400 meters high). Inside the iron-and-steel structure of twin spirals, the design envisaged three building blocks, covered with glass windows, which would rotate at ...
Unlike the Southern France, Paris has very few examples of Romanesque architecture; most churches and other buildings in that style were rebuilt in the Gothic style.The most remarkable example of Romanesque architecture in Paris is the church of the Abbey of Saint-Germain-des-Prés, built between 990 and 1160 during the reign of Robert the Pious.
The Eiffel Tower shocked many traditional Parisians, both because of its appearance and because it was the first building in Paris taller than the cathedral of Notre-Dame. Art Nouveau became the most striking stylistic innovation of the period in architecture.