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D harmonic minor & in the inverted row-form added-sixth chord with both major and minor third : I: 0 t 9 7 5 4 1 8 6 2 4 e: P: 0 2 3 6 8 t 5 7 9 e 1 4: 2 1 3 2 2 5 2 2 2 2 3: Ernst Krenek: Lamentatio Jeremiae Prophetae, Op. 93, row 2 [18] 1940–41 6-34: 6-34: RI-symmetry I: 0 t 9 6 4 2 7 5 3 1 e 8: P: 0 2 4 5 8 t 6 7 9 e 1 3
The Pyramid chord consists of every interval stacked, low to high, from 12 to 1 and while it contains all intervals, it does not contain all pitch classes and is thus not a tone row. Klein chose the name Mutterakkord in order to avoid a longer term such as all-interval twelve-tone row and because it is a chord which unites all other chords by ...
IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...
An example: Dieterich Buxtehude's O dulcis Jesu (BuxWV 83) in full score using tablature Keyboard tablature is a form of musical notation for keyboard instruments.Widely used in some parts of Europe from the 15th century, it co-existed with, and was eventually replaced by modern staff notation in the 18th century.
Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
An arpeggio for the chord of C major going up two octaves would be the notes (C, E, G, C, E, G, C). In musical notation, a very rapid arpeggiated chord may be written with a wavy vertical line in front of the chord. Typically these are read as to be played from the lowest to highest note, though composers may specify a high to low sequence by ...
Triads (or any other tertian chords) are built by superimposing every other note of a diatonic scale (e.g., standard major or minor scale). For example, a C major triad uses the notes C–E–G. This spells a triad by skipping over D and F. While the interval from each note to the one above it is a third, the quality of those thirds varies ...
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