Search results
Results from the WOW.Com Content Network
The verses in Masefield's version asked what to do with a "drunken sailor", followed by a response, then followed by a question about a "drunken soldier", with an appropriate response. Capt. W. B. Whall, a veteran English sailor of the 1860s–70s, was the next author to publish on "Drunken Sailor".
The song has been described as "[inhabiting] that late-night hades, the club where you can't find a waitress, 'even with a Geiger counter'; where 'the spotlight looks like a prison break' and the owner has 'the IQ of a fence post.'" [2] The song's full title includes a reference to Pete King, co-founder and club director of Ronnie Scott's Jazz ...
Here are the note sheets for both Óró sé do bheatha 'bhaile and What shall we do with the drunken sailor. As you can see from the notes the tune is the same, just in a different key, showing that the latter is more than likely derivative of the first. Stwff 17:15, 29 December 2012 (UTC)
"What Shall We Do with the Drunken Sailor" Released: 1981 Wir sitzen alle im selben Boot ( German for We Are All in the Same Boat ) is the third album released by German disco group Dschinghis Khan .
LibriVox reading in French. Le Bateau ivre (The Drunken Boat) is a Symbolist poem written in the summer of 1871 by French poet Arthur Rimbaud, then aged sixteen.The poem, one-hundred lines long, with four alexandrines per each of its twenty-five quatrains, describes the drifting and sinking of a boat lost at sea in a fragmented first-person narrative saturated with vivid imagery and symbolism. [1]
Two 2 (1989) Cornelius Cardew (1936-1981) Two Books of Study for Pianists (1958) Boolavogue (1981) Jacques Castérède (born 1926) Crosses on Fire for 2 pianos (Feux croisés pour deux pianos) (1963) Emmanuel Chabrier (1841–1894) Trois valses romantiques (1883) Frédéric Chopin (1810–1849) Rondo in C major, Op. posth. 73 (1828) Aaron ...
The Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek harmoniai (characteristic melodic behaviour, or the scale structure associated with it); one of the medieval musical modes; or—most commonly—one of the modern modal diatonic scales, corresponding to the piano keyboard's white notes from D to D, or any transposition of itself.
Notes played in succession form a melodic interval; notes played simultaneously form a harmonic interval. Dyads can be classified by the interval between the notes. [ 2 ] For example, the interval between C and E (four half steps) is a major third , which can imply a C major chord , made up of the notes C, E and G. [ 3 ]