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Also, the movie's theme song, James Rolleston's "Life is Lookin' Good," uses a variation of the music. Canadian progressive rock band Rush adopted the famous brass theme of 1812 Overture in their suite 2112, from their album of the same name. Significantly, other than being included in a similarly titled piece of music, Tchaikovsky's theme is ...
Basil Konstantine Poledouris (/ ˌ p ɒ l ɪ ˈ d ɔːr ɪ s /; August 21, 1945 – November 8, 2006) was an American composer, conductor, and orchestrator of film and television scores, [1] best known for his long-running collaborations with directors John Milius and Paul Verhoeven.
Erich Wolfgang Korngold was born to a Jewish family in Brünn, Austria-Hungary (present-day Brno, Czech Republic).Erich was the second son of eminent music critic (Leopold) Julius Korngold (1860–1945); his older brother, Hans Robert Korngold [] (1892–1965), also became a musician.
The poem inspired the Iron Maiden song "The Trooper" (1983). [13] The second stanza of this poem is recited an episode of Top Gear (2014). [14] The poem is quoted by "Commander" Shears in The Bridge on the River Kwai (1957). The poem is quoted in the Star Trek Deep Space 9 episode "Sacrifice of Angels" (1997).
Alex North (born Isadore Soifer, December 4, 1910 – September 8, 1991) was an American composer best known for his many film scores, including A Streetcar Named Desire (one of the first jazz-based film scores), Viva Zapata!, Spartacus, Cleopatra, and Who's Afraid of Virginia Woolf? [1]
Ronald Alfred Goodwin (17 February 1925 – 8 January 2003) was an English composer and conductor known for his film music. [1] He scored over 70 films in a career lasting over fifty years. His most famous works included Where Eagles Dare , Battle of Britain , 633 Squadron , Margaret Rutherford's Miss Marple films , and Frenzy .
[1] [2] [3] Only in the 16th century did the word "canon" begin to be used to describe the strict, imitative texture created by such a procedure. [2] The word is derived from the Greek "κανών", Latinised as canon, which means "law" or "norm". In contrapuntal usage, the word refers to the "rule" explaining the number of parts, places of ...
Although the stage production uses the song only during the concert scene, Ernest Lehman's screenplay for the film adaptation uses the song twice. In a new scene created for the film, inspired by a line in the original script by Howard Lindsay and Russel Crouse, Captain von Trapp sings "Edelweiss" to his children in their family drawing room, with his eldest daughter, Liesl, singing along briefly.