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Umro Ayyar or Amar Ayyar is a fictional character, an ayyār, [a] in Tilism-e-Hoshruba, an Urdu recension of the Islamic epic Hamzanama (originally in Persian). He was first written about during the time of Mughal Emperor Akbar and many stories and novels have been written about him since.
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
The story appears in Indian textbooks, and its adaptions also appear in moral education books such as The Joy of Living. [5] The story has been adapted into several plays and other performances. Asi-Te-Karave Yied (2008) is a Kashmiri adaption of the story by Shehjar Children's Theatre Group, Srinagar. [6]
"Extempore" (alternate title "The Beach Where Time Began") is a science fiction short story by American writer Damon Knight. It first appeared in the August 1956 issue of Infinity Science Fiction and has been reprinted twice, in Far Out (1961) and The Best of Damon Knight (1976).
Geetanjali Shree (Hindi pronunciation: [giːt̪ãːˈd͡ʒəlɪ ʃɾiː]; born 12 June 1957), also known as Geetanjali Pandey, [a] is an Indian Hindi-language novelist and short-story writer based in New Delhi, India. She is the author of several short stories and five novels.
Bahand Pather is a bahand of the Kashmir region in which stories commemorating the lives of reshis (Sufi sages, both Hindus and Muslims) or more contemporary real or fictional figures are enacted. The storylines (or pathers ) are often humorous and satirical, and farce is an essential component of the plays.
Extemporaneous Speaking (Extemp, or EXT) is a speech delivery style/speaking style, and a term that identifies a specific forensic competition.The competition is a speech event based on research and original analysis, done with a limited-preparation; in the United States those competitions are held for high school and college students.
After that, kavi sammelan became a large part of Indian culture. The Mushaira of Urdu poetry and the Hindi Kavi Sammelan are now often combined, and 'Mushaira-cum-Kavi Sammelan' is organised throughout the Hindustani speaking world. [1] In India, the period from Indian independence in 1947 to the early 1980s was a golden phase for kavi sammelan.