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The impetus for producing the Chocolate Kiddies was partly a culmination or outgrowth of (i) the success of a Harlem (and Atlantic City) jazz band led by Sam Wooding (1895–1985) and a floor show, initially developed for the 1923 opening of the Nest Club and (ii) the success of Eubie Blake and Noble Sissle's Broadway musical, The Chocolate Dandies, which, after 96 performances, closed ...
The four directions in which the St. Mary's Trumpet Call is currently sounded correspond roughly to the four main Kraków gates before 3 out of 4 of the gates were demolished in the 19th century. 16th-century sources mention other trumpeters on other towers, and it is possible that the “interrupted” anthem was originally meant to allow a ...
Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz. Joseph Haydn composed string quartets titled Die sieben letzten Worte unseres Erlösers am Kreuze (The seven last words of our Redeemer on the cross).
The Hyde version of the hymn specifically, which is more commonplace than its counterpart, has been used in at least three hymnals, [6] [7] and was the version used in a cover of the hymn by the Catholic religious sisters congregation, the Daughters of Mary, Mother of Our Savior, for their likewise-named 1998 album "Mary of Graces". [8] [9]
The trumpet repertoire consists of solo literature and orchestral or, more commonly, band parts written for the trumpet.Tracings its origins to 1500 BC, the trumpet is a musical instrument with the highest register in the brass family.
On every hour, 24 hours a day, 365 days a year, a trumpet signal—called the Hejnał mariacki—is played from the top of the taller of Saint Mary's two towers. The plaintive tune breaks off in mid-stream, to commemorate a famous 13th century trumpeter who was shot in the throat while sounding the alarm before a Mongol attack on the city.
Hymns to Mary began to flourish with the growing veneration of the Virgin Mary in the 11th and 12th centuries, and the Ave Maria became well established. [14] Marian hymns in the Western Church grew even faster during the 13th century as the Franciscans began to compose a number of lasting hymns.
Pietro Perugino's depiction of Mary at the Cross, 1482. (National Gallery, Washington) The Stabat Mater is a 13th-century Christian hymn to the Virgin Mary that portrays her suffering as mother during the crucifixion of her son Jesus Christ. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III.