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Pages in category "19th-century French painters" The following 200 pages are in this category, out of approximately 1,586 total. This list may not reflect recent changes .
2.5 19th century. 2.6 20th century. 3 See also. ... This is a list of French painters sorted ... List of French artists – including all visual and plastic arts ...
The following is a chronological list of French artists working in visual or plastic media (plus, for some artists of the 20th century, performance art). For alphabetical lists, see the various subcategories of Category:French artists. See other articles for information on French literature, French music, French cinema and French culture.
19th-century French art was made in France or by French citizens during the following political regimes: Napoleon's Consulate (1799–1804) and Empire (1804–14), the Restoration (1814–30), the July Monarchy (1830–48), the Second Republic (1848–52), the Second Empire (1852–71), and the first decades of the Third Republic (1871–1940).
Byzantine architecture was the inspiration for French some buildings in the late 19th century, notably the domes of the church of Sacré-Cœur, Paris begun by Paul Abadie (1874–1905). Marseille is home to two remarkable romantic churches, the Marseille Cathedral (1852–1896), in a Romanesque-Byzantine style, and Notre-Dame de la Garde ...
This is a non-diffusing parent category of Category:19th-century French male artists and Category:19th-century French women artists The contents of these subcategories can also be found within this category, or in diffusing subcategories of it.
Most of the early 19th-century artists given in the chronological list above have been at some time grouped together under the rubric of "romanticism", including the "realists" (as the Barbizon school) and the "naturalists". Some of the most important are listed here. See also French Revolution, Napoleon I of France, Victor Hugo, orientalism.
In his stage designs he combined traditional Russian art with some elements of French rococo. [249] Lev Bakst studied at the Parisian Académie Julian and was a pupil of Jean-Léon Gérôme. [75] He combined Russian folk art with modern French art, with a coloristic style noted for its sense of rhythm. [250]