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The koto (箏 or 琴) is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se , and similar to the Mongolian yatga , the Korean gayageum and ajaeng , the Vietnamese đàn tranh , the Sundanese kacapi and the Kazakh jetigen . [ 1 ]
A man playing the đàn tranh beside the singer. The đàn tranh (Vietnamese: [ɗâːn ʈajŋ̟], 彈 箏) or đàn thập lục [1] is a plucked zither of Vietnam, based on the Chinese guzheng, from which are also derived the Japanese koto, the Korean gayageum and ajaeng, the Mongolian yatga, the Sundanese kacapi and the Kazakh jetigen.
The instrument has twenty-three 800 mm (31 in)-long wire strings attached to a bamboo tube with a metal hose-clamp around the top rim. A 4 litres (0.88 imp gal; 1.1 US gal), rectangular olive oil tin, which acts as a resonator, is clamped to the base of the tube. The instrument is capable of playing both Vietnamese and Western music.
Pages for logged out editors learn more. Contributions; Talk; Koto (musical instrument)
The 17-string koto (Japanese: 十七絃 or 十七弦, Hepburn: jūshichi-gen, "seventeen strings") is a variant of the koto with 17 strings instead of the typical 13. The instrument is also known as jūshichi-gensō ( 十七絃箏 ) , "17 stringed koto ", or "bass koto " (although koto with a greater number of strings also exist).
The influence of Asian musical cultures on Vietnamese music can be seen in particular instruments such as the flutes, zithers, harps, and erhu. However, the recovery of an almost complete stringed instrument from a deer antler dated to 2,000 years old and shows clear similarities with traditional Vietnamese musical instruments indicate that ...
He changed the limited selection of six pieces to a brand new style of koto music which he called kumi uta. Yatsuhashi changed the Tsukushi goto tunings, which were based on tunings used in gagaku, and with this change a new style of koto was born. He adapted the Hirajoshi scale and the Insen scale for the koto, from the shamisen repertoire.
The 80-string koto, known as the hachijugen (八十絃/はちじゅうげん) in Japanese, was an invention of Japanese composer Michio Miyagi created in 1923. Miyagi added 67 strings to the traditional 13-string koto design, creating an instrument much like a western harp. Together, the 80 strings provide a far larger pitch range than the ...