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Pages in category "Paintings of Thomas Aquinas" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes. 0–9.
The painting is a complex arrangement exalting the role of Thomas Aquinas as a scholar of religious knowledge, his placement among the Four Evangelists and philosophers. In the center of the panel, the largest figure is the seated tonsured monk St Thomas Aquinas, below a Christ inside a mandorla. Linear rays tie his work to the Four Evangelists ...
The Vision of Saint Thomas Aquinas, also known as the Mystical Vision or Ectasy of Saint Thomas Aquinas, is an altarpiece painted by the Florentine artist Santi di Tito in 1593 for the church of San Marco in Florence, Italy. The painting was commissioned by Sebastiano Pandolfini del Turco for his family chapel in San Marco. [1]
The Apotheosis of Saint Thomas Aquinas (1631) by Francisco de Zurbarán. The Apotheosis of Saint Thomas Aquinas is a 1631 altarpiece painting by Francisco de Zurbarán, originally painted for the Dominican College of Seville, but now in the Museum of Fine Arts of Seville. [1] [2] It is Zurbarán's largest composition. [3]
The Routledge guidebook to Aquinas' Summa Theologiae. Routledge guides to the great books. New York: Routledge. ISBN 978-1-315-72842-1. Porro, Pasquale (2016). Thomas Aquinas: a historical and philosophical profile. Washington, D.C: The Catholic University of America Press. ISBN 978-0-8132-2805-1. Vollert, Cyril (1958). "Translator's preface".
Thomas Aquinas OP (/ ə ˈ k w aɪ n ə s / ⓘ ə-KWY-nəs; Italian: Tommaso d'Aquino, lit. 'Thomas of Aquino'; c. 1225 – 7 March 1274) was an Italian [6] Dominican friar and priest, the foremost Scholastic thinker, [7] as well as one of the most influential philosophers and theologians in the Western tradition. [8]
The legend of Thomas's girdle probably originated in the East, and was well known in Italy by the 14th century. [3] Thomas is most famous, apart from his mission to India, for the Doubting Thomas episode (John 20, John 20:24–29) where he missed the post-Resurrection appearance of Jesus to the ten other apostles, and said he would not believe Jesus had returned until he had felt his wounds.
Madonna and Child is a c.1435 fresco fragment by the Italian Renaissance master Fra Angelico in the sacra conversazione style. It was originally painted in the dormitory of the Convent of San Domenico, Fiesole.
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