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Creating a Koch snowflake curve by the fold-and-cut method. The fold-and-cut theorem states that any shape with straight sides can be cut from a single (idealized) sheet of paper by folding it flat and making a single straight complete cut. [1]
The origami crane diagram, using the Yoshizawa–Randlett system. The Yoshizawa–Randlett system is a diagramming system used to describe the folds of origami models. Many origami books begin with a description of basic origami techniques which are used to construct the models.
Origami tessellation is a branch that has grown in popularity after 2000. A tessellation is a collection of figures filling a plane with no gaps or overlaps. In origami tessellations, pleats are used to connect molecules such as twist folds together in a repeating fashion.
Geometric Origami is a book on the mathematics of paper folding, focusing on the ability to simulate and extend classical straightedge and compass constructions using origami. It was written by Austrian mathematician Robert Geretschläger [ de ] and published by Arbelos Publishing (Shipley, UK) in 2008.
A quilled basket of flowers. Paper craft is a collection of crafts using paper or card as the primary artistic medium for the creation of two or three-dimensional objects. . Paper and card stock lend themselves to a wide range of techniques and can be folded, curved, bent, cut, glued, molded, stitched, or layere
Satoshi Kamiya (神谷 哲史, Kamiya Satoshi, born June 6, 1981 in Nagoya, Japan) is a Japanese origami artist. Kamiya began folding at age two. Kamiya began designing origami models in 1995, and has since published hundreds of creations. [1] Kamiya has drawn inspiration for his designs from manga, nature, and both eastern and western mythologies.
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His enthusiasm for origami has led him to become involved with origami associations around the world. JOAS (Japanese Origami Academic Society) Board of Directors President; Board member of NOA (Nippon Origami Association); lifetime member of OrigamiUSA, member of British Origami Society and Chief Editor of "Origami Tanteidan" magazine.
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