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The poem was published posthumously as "Hope" in 1891 "'Hope' is the thing with feathers" is a lyric poem in ballad meter by American poet Emily Dickinson. The poem's manuscript appears in Fascicle 13, which Dickinson compiled around 1861. [1] It is one of 19 poems in the collection, in addition to the poem "There's a certain Slant of light". [1]
The title of The Audacity of Hope was derived from a sermon delivered by Barack Obama's former pastor, Jeremiah Wright.Wright had attended a lecture by Frederick G. Sampson in Richmond, Virginia, in the late 1980s, on the G. F. Watts painting Hope, which inspired him to give a sermon in 1990 based on the subject of the painting – "with her clothes in rags, her body scarred and bruised and ...
Hope is an optimistic state of mind that is based on an expectation of positive outcomes with respect to events and circumstances in one's own life, or the world at large. [1] As a verb, Merriam-Webster defines hope as "to expect with confidence" or "to cherish a desire with anticipation". [2] Among its opposites are dejection, hopelessness ...
More than 10,000 images were uploaded to the site in its first two weeks. [19] [20] [21] Mad parodied the "hope" poster with an "Alfred E. Neuman for President!" poster. Alfred was on the poster, and the word "hope" was replaced with "hopeless". Anti-Gaddafi protesters in Chicago, in solidarity with the 2011 Libyan civil war, have co-opted the ...
The sense of dum spiro spero can be found in the work of Greek poet Theocritus (3rd Century BC), who wrote: "While there's life there's hope, and only the dead have none." [2] That sentiment seems to have become common by the time of Roman statesman Cicero (106 – 43 BC), who wrote to Atticus: "As in the case of a sick man one says, 'While there is life there is hope' [dum anima est, spes ...
Hope Second version of Hope, 1886 Artist George Frederic Watts Year 1886 (1886), further versions 1886–1895 Type Oil Dimensions 142.2 cm × 111.8 cm (56.0 in × 44.0 in) Location Tate Britain Hope is a Symbolist oil painting by the English painter George Frederic Watts, who completed the first two versions in 1886. Radically different from previous treatments of the subject, it shows a lone ...
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Heaney also reworked The Testament of Cresseid, and had drawn on the Oresteia of Aeschylus for his sequence of poems "Mycenae Lookout". [4] Heaney's version is well known for its lines: History says, Don't hope On this side of the grave. But then, once in a lifetime The longed-for tidal wave Of justice can rise up, And hope and history rhyme.