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The New York Times Style Magazine explains one iconic suit of the era, the gray flannel suit: Back in 1955, when denim was the height of rebelliousness, Sloan Wilson's novel The Man in the Gray Flannel Suit turned a men's classic into a synonym for drab, middle-class conformity . . . Flannel had humble beginnings — the name is reputedly ...
The style of an interview suit, however, will depend on the organizational culture of the industry in which a person seeks employment. In the Southwestern United States, men's suits often feature detailing inspired by traditional Western wear, such as a pointed yoke and arrow pockets. [47]
In the 1974 film The Great Gatsby, the drape suit of the 1920s and 1930s was revisited. [6] The suit was modernized with the use of synthetic fabrics and a more modern construction. [6] Recently, Michael Anton, author of The Suit, has advocated for the return of the drape suit. The American Zoot suit is an extreme exaggeration of excess fabric.
By the early 1930s, the "drape cut" or "London Drape" suit championed by Frederick Scholte, tailor to the Prince of Wales, was taking the world of men's fashion by storm. The new suit was softer and more flexible in construction than the suits of the previous generation; extra fabric in the shoulder and armscye, light padding, a slightly nipped ...
Informal wear or undress, also called business wear, corporate/office wear, tenue de ville or dress clothes, is a Western dress code for clothing defined by a business suit for men, and cocktail dress or pant suit for women. On the scale of formality, it is considered less formal than semi-formal wear but more formal than casual wear.
Tweed suits, normally consisting of a jacket, waistcoat and trousers (or skirt) have been an icon of the English country gentleman and lady since the 1840s when Catherine, Lady Dunmore began to provide for the British aristocracy and landed gentry; it soon proved popular as it provided a practical but also smart-casual style. [8] Today tweed ...
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