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The poem refers to a group of people called the Wicinga cynn, which may be the earliest mention of the word "Viking" (lines 47, 59, 80). It closes with a brief comment on the importance and fame offered by poets like Widsith, with many pointed reminders of the munificent generosity offered to tale-singers by patrons "discerning of songs".
The word triptych was formed in English by compounding the prefix tri-with the word diptych. [2] Diptych is borrowed from the Latin diptycha, which itself is derived from the Late Greek δίπτυχα (díptycha) ' pair of writing tablets '. δίπτυχα is the neuter plural of δίπτυχος (díptychos) ' double-folded '. [3]
In it, Pound sets out an approach by which one may come to appreciate and understand literature (focusing primarily on poetry). Despite its title the text can be considered as a guide to writing poetry. The work begins with the "Parable of the sunfish", features a collection of English poetry that Pound called Exhibits and several notable ...
This poem marks the introduction into an English context of the classical pastoral, a mode of poetry that assumes an aristocratic audience with a certain kind of attitude to the land and peasants. The explorations of love found in the sonnets of William Shakespeare and the poetry of Walter Raleigh and others also implies a courtly audience.
Barfield published numerous essays, books, and articles. His primary focus was on what he called the "evolution of consciousness," which is an idea which occurs frequently in his writings. He is best known as the author of Saving the Appearances: A Study in Idolatry and as a founding father of Anthroposophy in the English speaking world.
The band Besnard Lakes has a song called "Albatross". The Canadian rock band Big Wreck has an album titled Albatross containing the lead single also titled "Albatross". The band Brave Saint Saturn has a song titled "Albatross". Rapper Chester Watson released a song referencing the poem called "Dead Albatross" in his album Past Cloaks.
For example, a poet might call the sea the "swan's riding"; a king might be called a "ring-giver". The poem contains many kennings, and the device is typical of much of classic poetry in Old English, which is heavily formulaic. The poem, too, makes extensive use of elided metaphors. [153]
The work is divided into three sections: the first has some of Dodsley's fables prefaced by a short prose moral; the second has 'Fables with Reflections', in which each story is followed by a prose and a verse moral and then a lengthy prose reflection; the third, 'Fables in Verse', includes fables from other sources in poems by several unnamed ...