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The following is a list of works by P. D. Q. Bach, a fictitious Bach family member, the alter ego of composer Peter Schickele.The first section lists, in alphabetical order, those works which have been recorded, are listed in the annotated catalogue of P. D. Q. Bach music in The Definitive Biography of P.D.Q. Bach, and/or are listed on the Theodore Presser website.
The historical development of polyphony and part-writing is a central thread through European music history. The earliest notated pieces of music in Europe were gregorian chant melodies. It appears that the Codex Calixtinus (12th century) contains the earliest extant decipherable part music. [4]
The piano/prepared piano piece A Room (1943, see above) was intended to be third part of She Is Asleep. [38] This piece is one of the earliest instances of the use of rhythmic proportions to govern the structure of individual movements and/or whole works. The proportion is 4, 7, 2, 5; 4, 7, 2, 3, 5 and it affects only the microstructure of the ...
Since the invention of sound recording, a classical piece or popular song may exist as a recording.If music is composed before being performed, music can be performed from memory (the norm for instrumental soloists in concerto performances and singers in opera shows and art song recitals), by reading written musical notation (the norm in large ensembles, such as orchestras, concert bands and ...
Melodics is the features of melody that are characteristic for a particular style, period, or group of composers, e.g. baroque melodics, the melodics of Frédéric Chopin's compositions.
The Italian composer Ottorino Respighi, with his Pines of Rome (1923–1924), may have been the first to compose a piece of music that calls for pre-recorded birdsong. A few years later, Respighi wrote Gli Uccelli ("The Birds"), based on Baroque pieces imitating four different birds, one to each movement of the work after its prelude: [5]
Since the Baroque era, Western European composers have used the diminished seventh as a melodic interval to convey intense, sometimes troubled emotion. Richard Taruskin (2010, p. 258) draws attention to the falling melodic figures in the bass (pedal) part of J. S. Bach's organ chorale prelude from the Orgelbüchlein, "Durch Adam's Fall":
A melodic motif is a melodic formula, established without reference to intervals. A rhythmic motif is the term designating a characteristic rhythmic formula, an abstraction drawn from the rhythmic values of a melody. A motif thematically associated with a person, place, or idea is called a leitmotif or idée fixe. [7]
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