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Art in the Christian Tradition ID: 56067 ; Google Arts & Culture asset ID: HgE0TNZqMx1hXw ; Smartify artwork ID: andrea-del-verrocchio-the-baptism-of-christ-verrocchio ; Zeri image ID: 14099 ; Uffizi artwork ID: verrocchio-leonardo-baptism-of-christ ; Florentine musea catalogue ID: 00281197 ; Authority file:
The Holy Spirit is often depicted as a dove, based on the account of the Holy Spirit descending like a dove on Jesus at his baptism. [5] In many paintings of the Annunciation, the Holy Spirit is shown in the form of a dove, coming down towards Mary on beams of light, as the Archangel Gabriel announces Christ's coming to Mary.
Tertullian (c. 198–203), in his treatise on baptism, advises the postponement of baptism in the case of little children, arguing that it is better to wait until one is ready to live what he professes in baptism rather than to repudiate the profession by wickedness. He however also advises to postpone the baptism of the unmarried, and mentions ...
The term baptism has also been used metaphorically to refer to any ceremony, trial, or experience by which a person is initiated, purified, or given a name. [29] Martyrdom was identified early in Christian church history as "baptism by blood", enabling the salvation of martyrs who had not been baptized by water.
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
Internet-available illustrations of ancient Christian representations of baptism from as early as the 2nd century include those in CF Rogers, Baptism and Christian Archeology, [136] the chapter "The Didache and the Catacombs" of Philip Schaff's The Oldest Church Manual Called the Teaching of the Twelve Apostles, [137] and Wolfrid Cote's The ...
The Promise of Baptism: An Introduction to Baptism in Scripture and the Reformed Tradition. Grand Rapids, Michigan: William B. Eerdmans. ISBN 978-0-8028-3307-5. Dyrness, William A. (2004). Reformed Theology and Visual Culture: The Protestant Imagination from Calvin to Edwards. Cambridge University Press. Fesko, J. V. (2013) [2010].
The Adoration of the Magi and the Baptism are both often found earlier, but the choice of scenes is very variable. The only Late Antique monumental cycles to have survived are in mosaic : Santa Maria Maggiore in Rome has a cycle from 432–430 on the birth and infancy of Christ together with other scenes from the Life of the Virgin , the ...