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The House of Fame (Hous of Fame in the original spelling) is a Middle English poem by Geoffrey Chaucer, probably written between 1374 and 1385, making it one of his earlier works. [1] It was most likely written after The Book of the Duchess , but its chronological relation to Chaucer's other early poems is uncertain.
[2] [5] Popular among early Chaucer scholars was the hypothesis that not only was this the case, but that Chaucer had never intended it to be part of the Tales at all. Instead, so this theory goes, Chaucer left the Parson's Prologue without a tale to follow it, and what we know of as the "Parson's Tale" was added to this gap. [2]
The Complaint of Mars, [1] is one of Geoffrey Chaucer's short poems that has elicited a variety of critical commentary. While this poem has been seen as allegorical, astronomical, and interpretive-appreciative in nature, a number of critics have examined the poem only as a description of an astronomical event. [2]
Geoffrey Chaucer (/ ˈ tʃ ɔː s ər / CHAW-sər; c. 1343 – 25 October 1400) was an English poet, author, and civil servant best known for The Canterbury Tales. [1] He has been called the "father of English literature", or, alternatively, the "father of English poetry". [ 2 ]
Geoffrey Chaucer reciting before nobles. Troilus and Criseyde (/ ˈ t r ɔɪ l ə s ... k r ɪ ˈ s eɪ d ə /) is an epic poem by Geoffrey Chaucer which re-tells in Middle English the tragic story of the lovers Troilus and Criseyde set against a backdrop of war during the siege of Troy. It was written in rime royale and probably completed ...
The Parliament of Birds, an 18th-century oil painting by Karl Wilhelm de Hamilton. The Parlement of Foules (modernized: Parliament of Fowls), also called the Parlement of Briddes (Parliament of Birds) or the Assemble of Foules (Assembly of Fowls), is a poem by Geoffrey Chaucer (c. 1340s–1400) made up of approximately 700 lines.
Rhyme royal (or rime royal) is a rhyming stanza form that was introduced to English poetry by Geoffrey Chaucer. [1] The form enjoyed significant success in the fifteenth century and into the sixteenth century. It has had a more subdued but continuing influence on English verse in more recent centuries.
The story starts telling of an apprentice named Perkyn (a.k.a. Perkin) who is fond of drinking and dancing. Perkyn is released by his master and moves in with a friend who also loves to drink, and whose wife is a shopkeeper whose real occupation is that of a prostitute.