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Geoffrey Chaucer (/ ˈ tʃ ɔː s ər / CHAW-sər; c. 1343 – 25 October 1400) was an English poet, author, and civil servant best known for The Canterbury Tales. [1] He has been called the "father of English literature", or, alternatively, the "father of English poetry". [2]
The Parliament of Birds, an 18th-century oil painting by Karl Wilhelm de Hamilton. The Parlement of Foules (modernized: Parliament of Fowls), also called the Parlement of Briddes (Parliament of Birds) or the Assemble of Foules (Assembly of Fowls), is a poem by Geoffrey Chaucer (c. 1340s–1400) made up of approximately 700 lines.
English had, however, been used as a literary language centuries before Chaucer's time, and several of Chaucer's contemporaries—John Gower, William Langland, the Pearl Poet, and Julian of Norwich—also wrote major literary works in English. It is unclear to what extent Chaucer was seminal in this evolution of literary preference.
The Book of the Duchess, also known as The Deth of Blaunche, [1] is the earliest of Chaucer's major poems, preceded only by his short poem, "An ABC", and possibly by his translation of The Romaunt of the Rose. Based on the themes and title of the poem, most sources put the date of composition after 12 September 1368 (when Blanche of Lancaster ...
The Legend of Good Women is a poem in the form of a dream vision by Geoffrey Chaucer during the fourteenth century.. The poem is the third longest of Chaucer's works, after The Canterbury Tales and Troilus and Criseyde, and is possibly the first significant work in English to use the iambic pentameter or decasyllabic couplets which he later used throughout The Canterbury Tales.
Robert Henryson used Chaucer's tale as a source for his Taill of Schir Chanticleir and the Foxe, the third poem in his Morall Fabillis of Esope the Phrygian, composed in or around the 1480s. Later, the poet John Dryden adapted the tale into more comprehensible modern language under the title of The Cock and the Fox (1700).
The poem uses some of elements of the Teseida of Boccaccio, and the Thebaid of the Roman poet Statius, works which Chaucer would use again as a basis for The Knight's Tale. This influence of Italian literature is a point of transition from Chaucer's earlier works which were mainly influenced by French poetry. The poem itself is a rather ...
The question of Chaucer's motivation in writing the tale, as well as potential social comments made within it, have been the subject of controversy. Gregory W. Gross in Modern Language Studies concludes that The Pardoner finds himself publicly shamed by the Host's reprimand at the end of the tale. There is an "undertone" of exclusion at this ...