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Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
Le carnaval romain, ouverture pour orchestre (Roman Carnival Overture), Op. 9. Composed in 1843 and first performed at the Salle Herz , Paris, on 3 February 1844. A stand-alone overture intended for concert performance, made up of material and themes from Berlioz's opera Benvenuto Cellini , including some music from the opera's carnival scene ...
The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs.
The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music).
The overture consists of two primary themes; the opening notes of the overture state the theme Mendelssohn wrote while visiting the cave, and is played initially by the violas, cellos, and bassoons. [11] This lyrical theme, suggestive of the power and stunning beauty of the cave, is intended to develop feelings of loneliness and solitude.
The Overture in the French style, BWV 831, original title Ouvertüre nach Französischer Art, also known as the French Overture and published as the second half of the Clavier-Übung II in 1735 (paired with the Italian Concerto), is a suite in B minor for a two-manual harpsichord written by Johann Sebastian Bach.
The Overture, Scherzo and Finale (German: Ouvertüre, Scherzo und Finale) in E major is a work for symphony orchestra by Robert Schumann. It is his opus 52, and was written in 1841. Schumann originally considered it his second symphony. [ 1 ]
The concert overture Carnival (Czech: Karneval, koncertní ouvertura), Op. 92, B. 169, was written by Antonín Dvořák in 1891. It is part of a "Nature, Life and Love" trilogy of overtures, forming the second part, "Life".