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  2. Édouard Manet - Wikipedia

    en.wikipedia.org/wiki/Édouard_Manet

    Édouard Manet (UK: / ˈ m æ n eɪ /, US: / m æ ˈ n eɪ, m ə ˈ-/; [1] [2] French: [edwaʁ manɛ]; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.

  3. The Grand Teddy tea-rooms paintings - Wikipedia

    en.wikipedia.org/wiki/The_Grand_Teddy_tea-rooms...

    The Café (1918) by Edouard Vuillard. Keith Tutt, an author and scriptwriter from Norfolk, fell in love with the work of French post-Impressionist painter Édouard Vuillard during his art classes at Tonbridge School and purchased a painting, thought to be one of the two smaller Grand Teddy works, at auction for approximately £11,000. [12]

  4. A Bundle of Asparagus - Wikipedia

    en.wikipedia.org/wiki/A_Bundle_of_Asparagus

    The museum director Gert von der Osten emphasizes that Manet's still life was "painted quite openly impressionist with ingenious accuracy". [ 2 ] Manet's style of painting in this picture was examined in detail by employees of the Wallraf-Richartz-Museum & Fondation Corboud in Cologne in 2008 on the occasion of the exhibition Impressionism: How ...

  5. Eva Gonzalès - Wikipedia

    en.wikipedia.org/wiki/Eva_Gonzalès

    Portrait of Eva Gonzalès, 1869–70, by Édouard Manet. Eva Gonzalès (19 April 1849 – 6 May 1883) was a French Impressionist painter. She was one of the four most notable female Impressionists in the nineteenth century, along with Mary Cassatt (1844–1926), Berthe Morisot (1841–95), and Marie Bracquemond (1840–1916).

  6. Luncheon in the Studio - Wikipedia

    en.wikipedia.org/wiki/Luncheon_in_the_Studio

    Manet's The Balcony and Luncheon in the Studio were exhibited in the same year. Both were criticized. Leenhoff also appears in this painting, in the dark background. The painting was exhibited in the 1869 Paris Salon along with Manet's The Balcony, another work that lacked a simple genre affiliation, and in which at least one of the figures seems to confront the viewer as if challenging the ...

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