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Although the enharmonic key of A-flat major is preferred because A-flat major has only four flats as opposed to G-sharp major's eight sharps (including the F), G-sharp major appears as a secondary key area in several works in sharp keys, most notably in the Prelude and Fugue in C-sharp major from Johann Sebastian Bach's The Well-Tempered Clavier, Book 1.
The notes A ♭ and G ♯ are the only notes to have only one enharmonic, since they cannot be reached in any other way by a single or double sharp or a single or double flat from any of the seven white notes. In the medieval period the musical note G# was known as gesolreut within the Guidonian hand hexachord system. [3]
G-sharp, G ♯ or G# may refer to: G-sharp minor, a musical key; G-sharp major, a musical key; G♯ (musical note) Granville Sharp, an eighteenth-century abolitionist; G-sharp guitar, designed by Øivin Fjeld
G major: 1 sharp 16 G minor: 2 flats 17 A♭ major: 4 flats 18 Either G# minor: 5 sharps Alkan wrote a piece in A♭ minor, and Brahms a fugue in this key, but most composers have preferred G# minor. or A♭ minor: 7 flats 19 A major: 3 sharps 20 A minor: No sharps or flats 21 B♭ major: 2 flats 22 Either B♭ minor: 5 flats
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A particular key features a tonic note and its corresponding chords, also called a tonic or tonic chord, which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same key, their corresponding chords, and pitches and chords outside the key. [2] Notes and chords other than the tonic in ...
In the Classical period, C major was the key most often chosen for symphonies with trumpets and timpani. Even in the Romantic period, with its greater use of minor keys and the ability to use trumpets and timpani in any key, C major remained a very popular choice of key for a symphony. The following list includes only the most famous examples.
Assume the following keys: E F F ♯ G G ♯ A. with both F ♯ and G ♯ split front to back. Here, E played C, the front half of the F ♯ key played D, and the (less accessible) rear half played F ♯. The front half of the G ♯ key played E, and the rear half played G ♯. As with the short octave, the key labeled E played the lowest note C.