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A-flat minor, its enharmonic, has seven flats, whereas G-sharp minor only has five sharps; thus G-sharp minor is sometimes used as the parallel minor for A-flat major. (The same enharmonic situation occurs with the keys of D-flat major and C-sharp minor, and in some cases, with the keys of G-flat major and F-sharp minor).
Although the enharmonic key of A-flat major is preferred because A-flat major has only four flats as opposed to G-sharp major's eight sharps (including the F), G-sharp major appears as a secondary key area in several works in sharp keys, most notably in the Prelude and Fugue in C-sharp major from Johann Sebastian Bach's The Well-Tempered Clavier, Book 1.
Book I: 14 major and minor keys on the white notes; Book II: 10 sharp keys; Book III: 10 flat keys Yevgeny Svetlanov: 12 Preludes piano 1978 [ch] 12 selected major and minor keys, in random order [201] Sembiin Gonchigsumlaa: 24 Preludes piano 1978–79 C5 [n] [202] Yasushi Akutagawa: 24 Preludes: The Piano Pieces for Children piano 1979 C5* [y ...
Symphony in C-sharp minor (1902) Joseph Martin Kraus. Symphony in C-sharp minor, VB 140. Identified by musicologist Bertil H. van Boer in program notes for the Naxos recording as one of only two C-sharp minor symphonies written in the 18th century. Gustav Mahler. Symphony No. 5 (1902) - Mahler objected to this key assignment, preferring none at all
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
G-sharp, G ♯ or G# may refer to: G-sharp minor, a musical key; G-sharp major, a musical key; G♯ (musical note) Granville Sharp, an eighteenth-century abolitionist; G-sharp guitar, designed by Øivin Fjeld
It is made up mostly of eighth notes, quarter notes, dotted quarter notes, and sixteenth notes. It has a subject and a countersubject, although the countersubject does not always accompany the subject. Starting from measure 61, the second subject appears, which is similar to the countersubject, both in a chromatic scale.
In Baroque music, G major was regarded as the "key of benediction". [1] Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of 6 8 chain rhythms", according to Alfred Einstein, [2] although Bach also used the key for some 4