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Exit Music is the seventeenth crime novel in the internationally bestselling Inspector Rebus series, written by Ian Rankin. It was published on 6 September 2007. It was published on 6 September 2007. The book is named after the Radiohead song " Exit Music (For a Film) ".
Exit Music: Songs with Radio Heads is a tribute album to British band Radiohead released in 2006 on Rapster Records and Barely Breaking Even Records.The album features reworked songs from Mark Ronson, Alex Greenwald of Phantom Planet, Sia, Matthew Herbert, Sa-Ra, The Cinematic Orchestra, RJD2 and many others.
Exit Trance is a series of compilation albums released in Japan specializing in Japanese trance artists. It is regularly released by Quake Holdings and each volume is mixed by DJ UTO, a prolific DJ in the Japanese music scene. Many of the albums are compilations of remixed anime music, while other albums feature remixed dance music. There are ...
Exit Music is the debut solo studio album from Scottish singer-songwriter Steven Lindsay, which was released by Seminal Records in 2004. The label reissued the album in 2005 with two bonus tracks. The label reissued the album in 2005 with two bonus tracks.
OK Computer is the third studio album by the English rock band Radiohead, released on 21 May 1997.With their producer, Nigel Godrich, Radiohead recorded most of OK Computer in their rehearsal space in Oxfordshire and the historic mansion of St Catherine's Court in Bath in 1996 and early 1997.
"Rabbit in Your Headlights" is a song by the British electronic duo Unkle, released on their debut album, Psyence Fiction (1998). It features vocals from the Radiohead singer, Thom Yorke, who wrote it with the Unkle member Josh Davis.
Exile in Guyville is the debut album by American singer-songwriter Liz Phair, released on June 22, 1993, by Matador Records.It was recorded at Idful Music Corporation in Chicago between 1992 and 1993 and produced by Phair and Brad Wood.
The Radiodread producer and arranger, Michael Goldwasser, said OK Computer had elements that were well suited to reggae, such as "strong melodies, intense dynamics and trippy soundscapes", but also uncommon elements such as complex time signatures and lots of chord changes.