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Lata Mangeshkar (born Hema Mangeshkar; 28 September 1929 – 6 February 2022) was an Indian legendary playback singer, music producer and music director who made music in Hindi and other Indian languages. Many of her old songs have featured in various new films (Bollywood or Indian films) and have also been credited. But such songs, unless re ...
Munimji (transl. Clerk) is a 1955 Indian Hindi-language romantic comedy film starring Dev Anand and Nalini Jaywant, and directed by Subodh Mukherjee.The story idea was by Ranjan, screenplay was by Nasir Hussain and dialogues by Nasir Hussain and Qamar Jalalabadi.
Hindi film songs, more formally known as Hindi Geet or filmi songs and informally known as Bollywood music, are songs featured in Hindi films.Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with dance, are a characteristic motif of Hindi cinema which gives it enduring popular appeal, cultural value and context. [1]
' The Trap ') is a 1952 Hindi crime noir film directed by Guru Dutt. The film stars Dev Anand, Geeta Bali in lead roles. [1] The film was successful at box office and was the third-highest-grossing film of the year in India. [2] Its music became popular, especially the song "Yeh Raat Yeh Chandni Phir Kahan". [3]
Title Director Cast Genre Notes/Music Aadhi Raat: S.K. Ojha: Ashok Kumar, Nargis, Kuldip Kaur, Cukoo, Jeevan, Neeaalam, Tiwari: Social Drama: Singers: Geeta Dutt ...
Although exact figures for the film's box-office earnings are not available, film-trade websites provide estimates. Box Office India cited the gross as ₹ 14.5 million (US$1.92 million), and said that it was the third highest-grossing Hindi film of 1949 after Barsaat and Andaz. [2]
Suraiya Jamal Sheikh (15 June 1929 – 31 January 2004), mononymously known as Suraiya, was an Indian actress and playback singer who worked in Hindi films. [1] In a career spanning from 1936 to 1964, Suraiya acted in over 70 films and sang 338 songs.
The film is a tribute to the Forties' Film noir Hollywood with the morally ambiguous hero, the transgressing siren, and shadow lighting. [9] It was hugely successful at the box office and was the second highest grossing film of 1951 after Awaara. [10] The Times of India called Baazi, "a milestone in the short lived genre that can be loosely ...