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The single's UK release featured comedian Tony Hancock on its front cover. [5] The different cover art for the international single release is a still from the 1946 film A Matter of Life and Death [6] (also titled in the US Stairway to Heaven [7]) created by Powell and Pressburger, [citation needed] permitted for use by Rank Film Distributors.
You can run but you can't hide may refer to: "He can run, but he can't hide", a statement attributed to American boxer Joe Louis; You Can Run But You Can't Hide, a book by Duane "Dog" Chapman "You Can Run (But You Can't Hide)", a 1979 song by (The) Razz, co-written by Tommy Keene
The song's chorus is based on "Ready or Not Here I Come (Can't Hide from Love)" by the Delfonics, which was an addition suggested by Wyclef Jean. [12] Reflecting on the recording process, Pras said: "At one point, the group had disbanded. Lauryn Hill had left the group at this point and we didn't know what we were going to do. She calls me and ...
"Ready or Not Here I Come (Can't Hide from Love)" is a single from American R&B vocal group The Delfonics. The song was produced by Thom Bell and released on October 22, 1968 by Philly Groove Records. The song peaked at number 35 on the U.S. pop chart, and number 14 on the U.S. R&B chart. The song peaked at number 41 in the UK.
You Can Run But You Cannot Hide International was supported by Minnesota Congresswoman Michele Bachmann [27] and Republican gubernatorial candidate Tom Emmer. Emmer's campaign gave the organization $250 in 2008, prompting criticism due to the group's views on homosexuality.
"You can click, but you can't hide" is an advertising campaign run jointly by ... The phrase is an adaptation of the phrase "You can run but you can't hide", ...
“It took a lot of balls.” Mix Master Mike (né Michael Schwartz) recalls the courage it took to call up the Beastie Boys, who by the late ’90s were bona fide rap superstars, and leave ...
Jason Elias of Allmusic wrote in his review of the song "While on the face this seems like a well-meaning plea, "Can't Hide Love" is filled with teasing, taunts, and a sense of bitterness that gives the song its emotional weight. Maurice White's insinuating lead was great enough, and near the end of the song Phillip Bailey does some great vocal ...