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He has also published several books of arrangements for solo singers and solo piano, including 10 Christmas Songs for Solo Voice, 10 Spirituals for Solo Voice, and 10 Hymns and Gospel Songs for Solo Voice. In 2004, Hayes premiered a contemporary setting of the ancient hymn Te Deum at Carnegie Hall, set for choir and soloists. [4]
In later years he attributed his hymn-playing technique to the influence of Bach and the study of classical music. [5] As a 17-year-old in 1929, he began playing the piano regularly for Paul Rader when the Chicago evangelist started a Tabernacle in Los Angeles. It was the first time young Atwood had the thrill of playing a concert grand piano. [6]
It is the second tune for No. 667, "The day Thou gavest, Lord, is ended" (John Ellerton, 1826–1893) in the 1933 Methodist Hymn Book. In the 1929 Revised Church Hymnary No. 289, (which also incorporates in many editions the Scottish Psalter), it is the third tune for the same hymn. The arrangement and key (A major) is the same in both hymnbooks.
God is love, let Heav'n adore him − Hymn Tune, Twigworth (1964) God be in my head for SATB unaccompanied (1966) Benedictus es, Domine for SATB & Organ (1967) Preces and Responses for SATB unaccompanied (1967) Lord By Whose Breath All Souls and Seeds are Living - Hymn Tune, Erwin (publ. 1967) O Holy City seen of John − Hymn Tune, Sancta ...
Hymn-style arrangement of "Adeste Fideles" in standard two-staff format (bass staff and treble staff) for mixed voices Tibetan musical score from the 19th century. Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece.
In setting the four hymns to music, Vaughan Williams chose poems by Jeremy Taylor, Isaac Watts, Richard Crashaw, and Robert Bridges (a translation from the Greek). The cycle is sometimes called Four Hymns for Tenor and Strings and performed in an orchestrated version with a string orchestra replacing the piano part.
At BYU, he was a member of the American Piano Quartet, which toured internationally and commissioned many original works, with Wilberg creating many of its arrangements himself. He was the associate director of the Tabernacle Choir and music director of the Chorale at Temple Square from May 1999 until his appointment as the Choir's director on ...
On Wenlock Edge, song cycle (1909) for tenor, piano and string quartet, setting texts by A. E. Housman; Four Hymns: (1914) for tenor and piano (or strings) with viola obbligato; Merciless Beauty, three rondels for tenor, two violins and cello (1921) Four Poems by Fredegond Shove: for baritone and piano (1922–25): 1. Motion and Stillness; 2.
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