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Clarke finally returned to Sousa's Band as solo cornet and assistant director in 1905 and conducted the band in many recording sessions for Victor at that time. Furthermore, he spent time testing and developing instruments for Conn Instruments in Elkhart, Indiana , and making a considerable number of solo recordings for Victor, Edison, Columbia ...
The second volume, published in 1912 as Clarke's Technical Studies for Cornet, includes 190 exercises divided into ten studies with notes from the author suggesting how to practice them. Each of the ten studies concludes with an exercise serving as an étude , except for the ninth study, which lacks an exercise labeled as such, and the tenth ...
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From 1904 to 1906, he performed with the John Philip Sousa Band, sharing solos with Herbert L. Clarke and Walter B. Rogers. [1] [4] [5] He also performed with the Frederick N. Innes Band from 1906 to 1909. [1] [4] He also performed with Gilmore's Band, orchestras conducted by Theodore Thomas, Frank Van der Stucken, and Henry Schradieck.
Carnival of Venice - played by Herbert L. Clarke on cornet, solo with orchestra - arranged by Arban. Carnival of Venice - ocarina played by Mosé Tapiero. Jean-Baptiste Arban (1825–1889): Variations on 'Carnival of Venice' (for trumpet or cornet) Nicolas-Charles Bochsa Le Carnaval de Venise for pedal harp
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Jean-Baptiste Arban (1825–1889) — La grande méthode complète de cornet à piston et de saxhorn par Arban contains 14 characteristic studies that function as performance études. [16] Herbert L. Clarke (1867–1945) — Clarke's Characteristic Studies for Cornet contains 15 solos as review études that close out the method.