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When the stroke is part of a lowercase [4] and rises above the height of an x (the x height), it is known as an ascender. [7] Letters with ascenders are b d f h k l. A stroke which drops below the baseline is a descender. [7] Letters with descenders are g j p q y. An arching stroke is a shoulder as in the top of an R or sometimes just an arch ...
The actual, physical height of any given portion of the font depends on the user-defined DPI setting, current element font-size, and the particular font being used. To make style rules that depend only on the default font size, another unit was developed: the rem. The rem «rem Unite», or root-em, is the font size of the root element of the ...
In "old style" text figures, numerals 0, 1 and 2 are x-height; numerals 6 and 8 have bowls within x-height, plus ascenders; numerals 3, 5, 7 and 9 have descenders from x-height, with 3 resembling ʒ; and the numeral 4 extends a short distance both up and down from x-height. Old-style numerals are often used by British presses.
Typography is the art and technique of setting written subject matter in type using a combination of typeface styles, point sizes, line lengths, line leading, character spacing, and word spacing to produce typeset artwork in physical or digital form. The same block of text set with 50% leading: Typography is the art and technique of setting written subject matter in type using a combination of ...
The point was first established by the Milanese typographer, Francesco Torniella da Novara (c. 1490 – 1589) in his 1517 alphabet, L'Alfabeto.The construction of the alphabet is the first based on logical measurement called "Punto," which corresponds to the ninth part of the height of the letters or the thickness of the principal stroke.
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The principal line terms in typography. For broader context, see Typeface anatomy. In European and West Asian typography and penmanship, the baseline is the line upon which most letters sit and below which descenders extend. [1] In the example to the right, the letter 'p' has a descender; the other letters sit on the (red) baseline.
The distance from the baseline to the top of the ascent or a regular uppercase glyphs (cap line) is also known as the cap height. [11] The height of the ascender can have a dramatic effect on the readability and appearance of a font. The ratio between the x-height and the ascent or cap height often serves to characterize typefaces.