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The theatre of the absurd (French: théâtre de l'absurde [teɑtʁ(ə) də lapsyʁd]) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s. It is also a term for the style of theatre the plays represent.
Pages in category "Theatre of the Absurd" The following 74 pages are in this category, out of 74 total. This list may not reflect recent changes. ...
Absurdist fiction is a genre of novels, plays, poems, films, or other media that focuses on the experiences of characters in situations where they cannot find any inherent purpose in life, most often represented by ultimately meaningless actions and events that call into question the certainty of existential concepts such as truth or value. [1]
The Theatre of Cruelty (French: Théâtre de la Cruauté, also Théâtre cruel) is a form of theatre conceptualised by Antonin Artaud. Artaud, who was briefly a member of the surrealist movement , outlined his theories in a series of essays and letters, which were collected as The Theatre and Its Double .
Petrov-Vodkin's Theatre.Farce. (c. 1870s) Poster for a production of Boucicault's farce Contempt of Court, c. 1879 Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. [1]
The Theatre Alfred Jarry was founded in January 1926 by Antonin Artaud with Robert Aron and Roger Vitrac, in Paris, France. [1] It was influenced by Surrealism, Theatre of the Absurd and the work of Alfred Jarry. It was foundational to Artaud's theory of the Theatre of Cruelty.
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Martin Julius Esslin OBE (6 June 1918 – 24 February 2002) was a Hungarian-born British producer, dramatist, journalist, adaptor and translator, critic, academic scholar and professor of drama, known for coining the term "theatre of the absurd" in his 1961 book The Theatre of the Absurd. This work has been called "the most influential ...