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The orchestra consists of oboes, strings and basso continuo of harpsichord, violoncello, violone and bassoon. Two trumpets and timpani highlight selected movements, in Part I the song of the angels, Glory to God in the highest , and with timpani the closing movements of both Part II, Hallelujah , and of Part III, Worthy is the Lamb .
In setting the four hymns to music, Vaughan Williams chose poems by Jeremy Taylor, Isaac Watts, Richard Crashaw, and Robert Bridges (a translation from the Greek). The cycle is sometimes called Four Hymns for Tenor and Strings and performed in an orchestrated version with a string orchestra replacing the piano part.
Concerto for Piano and Orchestra, No. 3 in A major; Concerto for Piano and Orchestra, No. 4 in G minor; Concerto for Piano and Orchestra, No. 5 in D major; Concerto for Piano and Orchestra, No. 6 in B-flat major; Concerto for Piano and Orchestra, No. 7 in A major; Concerto for Piano and Orchestra, No. 8 in C major; Selim Palmgren
Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in Schemellis Gesangbuch)
This article refers to the English version. The book was published on the 150th anniversary of the publication of the first LDS hymnbook, compiled by Emma Smith in 1835. Previous hymnbooks used by the church include The Manchester Hymnal (1840), The Psalmody (1889), Songs of Zion (1908), Hymns (1927), and Hymns (1948).
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. It was written in 1917–1919 and first performed in 1920.
In 1824, Carl Czerny premiered his Variations for piano and orchestra on the Austrian National Hymn Gott erhalte Franz der Kaiser, Op. 73. [14] Frédéric Chopin wrote four sets for solo piano, and also the Variations on "La ci darem la mano" from Mozart 's opera Don Giovanni , Op. 2, for piano and orchestra (1827).
for male chorus and string orchestra with brass ad libitum (or piano) English words translated from the Sanskrit by the composer Choral: 103: 1909: O England, My Country: for unison voices and orchestra (or piano) words by G. K. Menzies Choral: 104: 1909: A Song of Fairies: for female chorus a cappella: Choral: 109: 1910: Christmas Day: Choral ...
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