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Stained glass conservation refers to the protection and preservation of historic stained glass for present and future generations. It involves any and all actions devoted to the prevention, mitigation , or reversal of the processes of deterioration that affect such glassworks and subsequently inhibit individuals' ability to access and ...
For glass objects that are not window glass, the most common way of cleaning is by water if the glass object is intact and not super fragile. The Victoria and Albert Museum provides guidance about how to go about this way of cleaning. [4] The methods of cleaning may differ if the glass is already damaged, extremely thin or fragile, or very old.
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
A detail of a nearly 150-year-old stained-glass window depicts Christ speaking to a Samaritan woman, in the now-closed St. Mark’s Episcopal church, Monday, May 1, 2023, in Warren, R.I. (AP Photo ...
The term stained glass is also applied to windows in enamelled glass in which the colors have been painted onto the glass and then fused to the glass in a kiln; very often this technique is only applied to parts of a window. Stained glass, as an art and a craft, requires the artistic skill to conceive an appropriate and workable design, and the ...
Thomas Augustin "Gus" O'Shaughnessy (1870-1956) was an Irish American Celtic Revival designer from Missouri who worked primarily in stained glass.He was employed as a Chicago Daily News staff artist and had earlier studied under stained glass master Louis Millet at the Art Institute of Chicago, then traveled to Europe to perfect his art.
While most of the work of Wailes' workshop is to be found in the North of England, other commissions came from further afield. The most significant window glazed by the firm, and one of the prize commissions of the industry, was the glazing of the west window of Gloucester Cathedral, an enormous window of c.1430 in the Perpendicular Gothic style, of nine lights and four tiers.
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