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Dance in Indonesia (Indonesian: Tarian Indonesia) reflects the country's diversity of ethnicities and cultures. There are more than 600 ethnic groups in Indonesia. [1] [2] Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has ...
Highland Papua (Indonesian: Papua Pegunungan) is a province of Indonesia, which roughly follows the borders of Papuan customary region of Lano-Pago, shortened to La Pago. [6] It covers an area of 51,213.33 km 2 (19,773.58 sq mi) and had a population of 1,448,360 according to the official estimates as at mid 2023.
Ethnic group Linguistic classification Regency Districts and villages Clans and subgroups Arfak: East Bird's Head: Pegunungan Arfak: Sougb, Hatam, Moire, Meiah Borai
Topeng dance is mentioned in the Kakawin Nagarakertagama in a palm-leaf manuscript called Lontar that was written by Mpu Prapanca in 1365 AD. A collection of the National Library of Indonesia in Jakarta A 14th-century Majapahit golden mask.
Nduga is an indigenous tribe in the Central Highlands region of southern Papua, particularly in the Nduga Regency and surrounding areas. The territory of the Nduga people borders the Dani and Lani to the north, the Asmat to the south, the Damal to the west, and the Ngalik [] to the east.
The province of Highland Papua (Provinsi Papua Pegunungan) in Indonesia is divided into eight kabupaten which in turn are divided administratively into districts, known as distrik under the law of 2001 on "special autonomy for Papua province".
The Dani (also spelled Ndani) are an ethnic group from the Central Highlands of Western New Guinea in Baliem Valley, Highland Papua, Indonesia.Around 100,000 people live in the Baliem Valley, consisting of representatives of the Dani tribes in the lower and upper parts of the valley each 20,000 and 50,000 in the middle part (with a total of 90,000 people).
Colossal Yapong dance Hundreds of dancers demonstrate the yapong dance. The pattern in the clothes worn by the dancers is a development of the Betawi mask dancer clothes. This can be seen clearly from the shape and decoration of the headgear and the sash worn on the chest, which is called the toka-toka.