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[Special Effects is] an example of writer/director Larry Cohen at his most conceptually audacious. His script for this film touches on Hollywood egotism, the cruelty of showbiz, snuff films, the corrupting allure that moviemaking holds for neophytes and even works in a few allusions to Hitchcock ...
The film was first titled Into the Mirror, but the name was later changed to Mirrors. [4] Filming began on May 1, 2007, and it was released in American theaters on August 15, 2008. The film was originally scripted as a straightforward remake of the 2003 South Korean horror film Into the Mirror. However, once Aja was brought on board and read ...
An infinity mirror effect viewed between paired mirrors in a public bathroom. The infinity mirror (also sometimes called an infinite mirror) is a configuration of two or more parallel or angled mirrors, which are arranged to create a series of smaller and smaller reflections that appear to recede to infinity.
Mirror, Mirror III: The Voyeur is a 1995 American erotic [2] horror film directed by Rachel Gordon and Virginia Perfili, and starring Billy Drago, David Naughton, Monique Parent, and Mark Ruffalo. The film was released directly-to-video in 1995.
Mirror, Mirror is a 1990 American supernatural horror film directed by Marina Sargenti, based on a screenplay by Annette Cascone and Gina Cascone. It stars Karen Black, Rainbow Harvest, Yvonne De Carlo and William Sanderson. The film follows a teenage outcast who finds herself drawn to an antique mirror left in the house she and her mother have ...
To keep the budget low, Rose instructed a special effects manager named Martin Bresson to use traditional effects instead of optical effects. [16] The same team who worked on Backdraft also designed the set for the bonfire scene of Candyman which involved using 1,500 gallons of propane and its largest section having a 70-foot width and 30-foot ...
Skin is in! There have been no shortage of wardrobe malfunctions in 2017, and we have stars like Bella Hadid, Chrissy Teigen and Courtney Stodden to thank for that.
Victoria Alexander of Filmsinreview.com wrote that "The Time Machine is a loopy love story with good special effects but a storyline that's logically incomprehensible," [18] noting some "plot holes" having to deal with Hartdegen and his machine's cause-and-effect relationship with the outcome of the future.