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Premier Solo andante et bolero for tenor saxophone and piano (1866)—Jules Demersseman; Brasiliana No. 7 for Tenor Saxophone and Piano (1956)—Radamés Gnattali; Sonata for Tenor Saxophone and Piano (1967)—James Di Pasquale; Sonatina for Tenor Saxophone and Piano (1969/95)—Bertold Hummel; Sonata for Tenor Saxophone and Piano (1974 ...
As a composer, he frequently scored for the saxophone. In chamber music, the most important examples include the Sexteto místico for flute, oboe, alto saxophone, harp, guitar, and celesta (1917), Quarteto simbólico for flute, alto saxophone, harp, celesta and women's voices (1921), the Nonet (1923), Chôros No. 3 and No. 7 (1925 and 1924 ...
Leopold Stokowski made a large number of transcriptions for full orchestra, including the Toccata and Fugue in D minor for organ, which appeared in the film Fantasia and the Little Fugue in G minor. Alexander Siloti made many piano transcriptions of Bach, most famously his Prelude in B minor based on Bach's Prelude in E minor, BWV 855a.
From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score. The score image in the background was taken from the beginning of the first printed book of music, the Harmonice Musices Odhecaton. It was published in Venice, Italy in 1501 by Ottaviano Petrucci, the library's namesake. [5] [non-primary source needed]
As a longtime friend of Adolphe Sax, the inventor of the saxophone (they met as students at the Royal School of Music), he encouraged Sax to develop the four principal members of the saxophone family, and composed what is very likely the first work ever written for the saxophone quartet, his Premier Quatuor, Op. 53, completed in 1857. In ...
The melody is then played by the soloist. The strings provide a lush background texture. Several musical themes follow. The saxophone begins to dominate with passages of scales and interval jumps. The opening part is in G minor while the central section is in Cb major. The saxophone then intertwines the melody with lyrical themes of the strings.
There is a great lack in chamber music for euphonium (where it is not the exclusive soloist). Diálogo Sonoro ao Luar or "Moonlight Dialogue" for Alto Saxophone and Euphonium is a very unique work written by one of the main 20th c. Brazilian composers Francisco Braga (published in 1946). Besides its unique instrumentation it displays techanical ...
Etching from the series Figure con instrumenti musicali e boscarecci by Giovanni Battista Braccelli showing Baroque musicians playing a trombone and a serpent. The Sonata in D minor is a sonata for brass quintet (2 cornetts, 3 trombones and continuo) by the Baroque composer Georg Daniel Speer (1636–1709)
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