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The painting is made on the wall of the house using home-made colors that make the painting unique and beautiful. It is done on the day of Lord Krishna's birthday, Krishna Janmashtami at Tharu elder Mahatawa's house. [3] The colors are made from red clay (red), bean leaves (green) and burnt wild grass (black). [4]
Pattachitra of Lord Jagarnath. The theme of Odia painting centres round the Jagannath and the Vaishnava sect. Since beginning of Pattachitra culture, Lord Jagannath who was an incarnation of Lord Krishna has been the major source of inspiration.
Krishn Kanhai is a master in contemporary, portrait as well as traditional gold painting. He has, however, not confined himself to the traditional alone but has also introduced certain significant techniques of his own that makes the canvas aesthetically appealing and spiritually rich.
Pichhwai are intricate paintings which portray various aspects of Lord Krishna's life. This art has become an undivided part of the Nathdwara culture. The purpose of Pichhwais, other than its artistic appeal, is to narrate tales of Krishna visually. Pichhwai painting is in a great demand around the globe.
Raja Balwant Singh’s Vision of Krishna and Radha by Nainsukh. Jasrota, c. 1745-1750. Metropolitan Museum of Art. The Kangra art style originated in Guler State, a small hill princely state in the Lower Himalayas in the first half of the 18th century when a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler.
The main image portrayed in Pichhwai paintings is Shrinathji.This 700+ years old form of Krishna, is the presiding deity worshipped at the Shrinathji Temple with many paintings showing the rituals and worship offered to the deity in the temple.
These and other texts on painting discuss the Indian ideas, theory and practice of painting, its relationship to other arts, methods of preparing the canvas or wall, recipes to make color pigments and other topics. [14] [19] [15]
Thanjavur painting is a classical South Indian painting style, originating in the town of Thanjavur (anglicized as Tanjore) in Tamil Nadu.The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in ...
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