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Diane Arkenstone, a multi-faceted artist and a pioneer in the New Age music genre, has garnered worldwide acclaim with her extensive repertoire of recordings within the world, meditative, ambient, Celtic, Native American traditions and Americana.
Label: Ocean Colour Scene; Formats: CD — — — — — Live recording of an acoustic concert by Simon Fowler and Oscar Harrison. Limited edition 3000 copies via band website. Live – One for the Road: Released: 20 September 2004; Label: Sanctuary (#SANCD310) Formats: CD; 99: 11 — — 59 Live album taken from their 2004 summer festival tour.
Ambient video is a genre of video that puts emphasis on atmosphere over traditional storytelling or news content. Its purpose is to create a soothing, pleasant environment through the use of imagery. A typical video might include footage of waves rolling over the beach accompanied by soft ambient music.
Sounds of natural habitats are common in YouTube uploads of ambient music, with their thumbnails typically having images of natural landscapes (i.e. beaches, rainforests, etc) and as well as space, to attract listeners. Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm.
"Aquatic Ambience" (also written as "Aquatic Ambiance") [2] is a musical theme composed by David Wise for the video game Donkey Kong Country (1994). It plays in the underwater levels. It plays in the underwater levels.
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Double Yellow – Feed you (Ambient Jazz Ensemble Rework) Slowly Rolling Camera – Slowly Rolling Camera; All India Radio – Sunburst; Kasseo & Cordelia O'Driscoll – In your eyes; Yann Dulché – Faith (feat. Dinia) Kinkajous – Vinam (Chpln Remix) Lyves – Darkest hour; Gogo Penguin – Murmuration; Hecq – Night falls; Luke Howard ...
In filmmaking, ambience (also known as atmosphere, atmos, or background) consists of the sounds of a given location or space. [1] It is the opposite of "silence". Ambience is similar to presence, but is distinguished by the existence of explicit background noise in ambience recordings, as opposed to the perceived "silence" of presence recordings.