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This sonnet contains examples of all three metrical variations typically found in literary iambic pentameter of the period. Lines 2 and 4 feature a final extrametrical syllable or feminine ending: × / × / × / × / × / (×) My most full flame should afterwards burn clearer. (115.4)
In the discussion of Macbeth, it is Macbeth's unity of character that is significant. [302] In many chapters, he emphasises the dominant mood, a unifying theme, the "character" of the play as a whole. [303] In, again, Macbeth, the entire play "is done upon a stronger and more systematic principle of contrast than any other of Shakespear's plays."
Eliot uses Lady Macbeth's state of mind as an example of the successful objective correlative: "The artistic 'inevitability' lies in this complete adequacy of the external to the emotion….", as a contrast to Hamlet. According to Eliot, the feelings of Hamlet are not sufficiently supported by the story and the other characters surrounding him.
Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
A form of government where the monarch is elected, a modern example being the King of Cambodia, who is chosen by the Royal Council of the Throne; Vatican City is also often considered a modern elective monarchy. Self-proclaimed monarchy: A form of government where the monarch claims a monarch title without a nexus to the previous monarch dynasty.
Plato describes a violent tyrant as the opposite of a good and "true king" in the Statesman, [6] and while Aristotle in the Politics sees it as opposed to all other beneficial forms of government, he also described tyrannicide mainly as an act by those wishing to gain personally from the tyrant's death, while those who act without hope of personal gain or to make a name for themselves are rare.
After Macbeth slays the young Siward, Macduff charges into the main castle and confronts Macbeth. Although Macbeth believes that he cannot be killed by any man born of a woman, he soon learns that Macduff was "from his mother's womb / Untimely ripped" (Act V Scene 8 lines 2493/2494) — meaning that Macduff was born by caesarean section. The ...
The Three Witches, also known as the Weird Sisters, Weyward Sisters or Wayward Sisters, are characters in William Shakespeare's play Macbeth (c. 1603–1607). The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology.