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Authors writing their texts consider not only a word's denotation but also its connotation. For example, a person may be described as stubborn or tenacious, both of which have the same basic meaning but are opposite in terms of their emotional background (the first is an insult, while the second is a compliment).
Adianoeta – a phrase carrying two meanings: an obvious meaning and a second, more subtle and ingenious one (more commonly known as double entendre). Alliteration – the use of a series of two or more words beginning with the same letter. Amphiboly – a sentence that may be interpreted in more than one way due to ambiguous structure.
The most common form of oxymoron involves an adjective–noun combination of two words, but they can also be devised in the meaning of sentences or phrases. One classic example of the use of oxymorons in English literature can be found in this example from Shakespeare's Romeo and Juliet, where Romeo strings together thirteen in a row: [11]
Negative space in art, also referred to as "air space", is the space around and between objects. Instead of focusing on drawing the actual object, for a negative space drawing, the focus is on what's between the objects. For example, if one is drawing a plant, they would draw the space in-between the leaves, not the actual leaves.
An idiom is an expression that has a figurative meaning often related, but different from the literal meaning of the phrase. Example: You should keep your eye out for him. A pun is an expression intended for a humorous or rhetorical effect by exploiting different meanings of words. Example: I wondered why the ball was getting bigger. Then it ...
Another example of zoomorphism in Islamic art is the bird-shaped oil lamp, located at the Metropolitan Museum of Art in New York. The oil lamp would have been used as an everyday object in a domestic space as well. The handle of the lamp is depicted by the head and neck of the bird.
In visual art, certain images are visually ambiguous, such as the Necker cube, which can be interpreted in two ways. Perceptions of such objects remain stable for a time, then may flip, a phenomenon called multistable perception. The opposite of such ambiguous images are impossible objects. [15]
Physical art, as contrasted with conceptual art, refers to art that entirely exists in physical reality, in space and time. Its ontological status is that it is a physical object. The art is concretely realized but may be abstract in nature. For example, a painting, sculpture, or performance exists in the physical world.